| Science Fiction | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1972 | |||
| Recorded | September 9, 10 & October 13, 1971 | |||
| Genre | Avant-garde jazz, Free jazz | |||
| Length | 37:03 | |||
| Label | Columbia | |||
| Ornette Coleman chronology | ||||
| ||||
- Science Fiction Ornette Coleman Rares
- Ornette Coleman Discography
- Ornette Coleman Trio
- Ornette Coleman Youtube
- Jan 09, 2015 Ornette Coleman – Science Fiction (1971) Science Fiction ’s title track is particularly startling in this regard, not so much moving in time as vibrating with it, fixed in space by its simultaneous omni-directional logic, as the sounds of crying children compete with the.
- Taking a step back: the three albums that Ornette Coleman released between 1971 and 1977 demonstrates his absolute breadth: having travelled to chaotic outer space for Science Fiction, back to the turbulent United States for Skies of America (finally delivering the promise of third stream), and then to Africa for Dancing in Your Head.
Science Fiction is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971 and released on the Columbia label.[1] Download torrent for free.
The very first Ornette Coleman album from 1958, with a very programmatic. Ornette's grandest orchestral work, Skies of America conjures up. As a special bonus in the Gatefold, an original Ornette Coleman.
Reception[edit]
Science Fiction Ornette Coleman Rares
The Allmusic review by Steve Huey awarded the album 5 stars and stated 'Science Fiction Miro 27s girlfriends 4ever (mac) torrent 2017. was his creative rebirth, a stunningly inventive and appropriately alien-sounding blast of manic energy.. Science Fiction is a meeting ground between Coleman's past and future; it combines the fire and edge of his Atlantic years with strong hints of the electrified, globally conscious experiments that were soon to come. And, it's overflowing with brilliance'.[2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | [2] |
| The Rolling Stone Jazz Record Guide | [3] |
Track listing[edit]
All compositions by Ornette Coleman
- 'What Reason Could I Give?' - 3:06
- 'Civilization Day' - 6:04
- 'Street Woman' - 4:50
- 'Science Fiction' - 5:03
- 'Rock the Clock' - 3:16
- 'All My Life' - 3:56
- 'Law Years' - 5:22
- 'The Jungle Is a Skyscraper' - 5:26
Ornette Coleman Discography
- Recorded at Columbia Studio E, NYC on September 9 (tracks 2, 3, 7 & 8), September 10 (track 4) and October 13 (tracks 1, 5 & 6), 1971
Personnel[edit]
- Ornette Coleman - alto saxophone, trumpet, violin
- Don Cherry - pocket trumpet (tracks 2-4)
- Bobby Bradford (tracks 4, 7 & 8), Carmine Fornarotto (tracks 1 & 6), Gerard Schwarz (tracks 1 & 6) - trumpet
- Dewey Redman - tenor saxophone, musette (tracks 1 & 4-8)
- Charlie Haden - bass
- Billy Higgins (tracks 1-4 & 6), Ed Blackwell (tracks 1 & 4-8) - drums
- David Henderson - recitation (track 4)
- Asha Puthli - vocals (tracks 1 & 6)
References[edit]
Ornette Coleman Trio
- ^Ornette Coleman discography accessed November 30, 2010
- ^ abHuey, S. Allmusic Review accessed November 30, 2010
- ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. pp. 45. ISBN0-394-72643-X.
The Complete Science Fiction Sessions completes Coleman’s recorded output for Columbia. A provocative two-CD set combining 1971’s Science Fiction and 1972’s Broken Shadows, neither of which has ever before been available on domestic CD, it presents an astonishing variety with several different lineups-from a reunion of his original 1959 quartet with pocket trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden, to expanded works for 12-piece ensemble featuring guitarist Jim Hall and pianist Cedar Walton, to a free-blowing freak-out behind poet David Henderson and a bluesy throwdown with singer Webster Hall, Coleman’s old friend from Fort Worth.
The five tracks with the original quartet-“Civilization Day,” “Street Woman,” “Country Town Blues” and alternate takes of “Civilization Day” and “Street Woman”-are brilliant. Haden’s playing is particularly strong, providing a tether for the mercurial Coleman-Cherry chemistry. And Higgins is Higgins-an ever-swinging, pulsating presence, reacting in the moment with big ears and supple wrists.
“Rock the Clock,” easily the CD’s most unusual entry, features Haden playing a “Purple Haze”-styled bassline through a wah-wah pedal while Ornette overdubs on trumpet and violin and Dewey Redman wails on musette over Ed Blackwell’s inimitable groove. The two pieces showcasing Bombay vocalist Asha Puthi, “What Reason Could I Give” and “All My Life,” are like Coleman’s idea of pop music. Disc one also includes remarkable performances of “Law Years,” “The Jungle Is a Skyscraper” and “School Work,” with the lineup of Coleman, Redman, Haden and Blackwell, augmented by trumpeter Bobby Bradford.
Disc two opens with the rapid-fire “Happy House,” which pairs trumpeter Cherry and drummer Blackwell in the left channel and trumpeter Bradford and drummer Higgins in the right channel. That same formula is repeated to good effect on “Elizabeth,” the previously unissued “Written Word” and “Broken Shadows,” a bowing vehicle for Haden. All four pieces offer particularly strong examples of Dewey Redman’s outré playing.
The two throwaway vocal numbers highlighting Ornette’s old pal Webster Armstrong-the harmolodic raunch of “Good Girl Blues” and the schmaltzy ballad “Is It Forever”-are merely oddities in Coleman’s expansive discography.
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Ornette Coleman Youtube